But when two distant relatives arrive at his tiny house, in rough-and-ready Red Hook to make a life from themselves away from the grinding poverty of rural Sicily, matters come to a head. In A View From The Bridge it’s docker Eddie Carbone refusing to acknowledge the feelings he has towards different members of his household. In that play it’s the dishonesty of a family man who knows he is responsible for the deaths of American pilots, having shipped faulty parts for the construction of airplanes. It’s almost ten years since the Playhouse’s last dalliance with Arthur Miller – a not entirely successful production of All My Sons that dripped with leaden symbolism.
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